The exhibition questions the relationship between reality and its representation through photographs of objects that simulate life - plastic eggs, artificial plants, synthetic Christmas trees, and other imitations of nature. Instead of treating photography as proof of truth, Babnik uses it as a space of illusion and a metatext of reality, pointing out that every image depends on the way we observe and interpret it.
By photographing objects that are already copies of the real world, the artist creates a double simulation: the photograph becomes a depiction of something that is itself an imitation. In this way, the work problematizes the boundaries between the natural and the artificial, the original and the reproduction, as well as our trust in what we see.
This is a cultural and educational institution of the city of Belgrade that has been organizing events such as debates, presentations, concerts and movie and theater plays since 1964. Different for...
This is a cultural and educational institution of the city of Belgrade that has been organizing events such as debates, presentations, concerts and movie and theater plays since 1964. Different for...